Stanko Zecevic
Montenegrin painter.Stanko Zecevic, born in 1954 in Montenegro, is professor of painting since 30 years at the Academy of Fine Arts in Belgrade. Stanko Zecevic won the hearts of international collectors for his creations – even during the Yugoslavian Wars. He proved that art is a trailblazer for democracy, free from political context and independent in expression. Characterized by Flemish, Italian and the German Renaissance, in love with the nature of Montenegro he creates unique compositions wh . . .
Goran Cpajak
Goran Cpajak was born in 1963. in Prijepolje, Serbia. He shapes stones and metals in line with natural harmony. He forms the stone in specific themes, human fears, impressions, questions, mistakes and aspiration. He considers stone as a material with many emotions. It is a mental fight and Cpajak shows his strength by bending the stone. He has been awarded international prizes and is considered as one of the most significant sculptors of our time. His work is part of collections worldwide a . . .
Sandro Porcu
Born in Caltanissetta, Italy in 1966, he grew up in Germany. He was influenced by life in Karlsruhe, the study and the New Leipzig School in Leipzig, teaching activities and projects in Upper Lusatia and the nature and culture of Sicily. As a freelance artist, he has been represented on the art market since the 90s and has completed numerous exhibitions in Germany, Switzerland, Great Britain, Austria, Hungary, Poland and Korea. Sandro Porcu received various art prizes in Switzerland (Christoph M . . .
Danijela Gracner
Born in 1983 in Kragujevac, Serbia, the artist lives and works in Paris.While studying applied arts and mural painting at the University of Belgrade, she dealt with the theme of subordination and the adaptation of people to the prescribed social constraints in her performances under the title "Sleepers". She portrays people as puppets crammed into a tight corset of traditions, rules and constraints, performing their duties at the expense of their talents and potential. Congealed, uniformed and s . . .
Sergei Aparin
The great masters of the present are expected to reach the perfection of their predecessors and add something more. Sergei Aparin succeeds in this. Every painting is a world of its own. The real mixes with the mystic. An invitation to immerse, linger and reflect, which one gladly accepts. One could write a long art-historical/philosophical essay about each work. In the context of a catalogue preface, the scope is limited to a few morsels and the viewer is invited to "Crave for more".Many of his . . .
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