Titus Hora
Canadian visual artist / programmer.Born 1958.Titus Hora’s awe inspiring revelations of the unimaginable spring from his studies of the basic human need for finding (and/or assigning) a meaning to the world.Programmatically generated, semantically ambiguous and visually spectacular, his 2D and 3D environments are made possible by the intricate symbiosis between the conceptual and retinal modes of presentation characteristic of his work.Hora is orchestrating intelligent, compelling and complex, a . . .
Goran Cpajak
Goran Cpajak was born in 1963. in Prijepolje, Serbia. He shapes stones and metals in line with natural harmony. He forms the stone in specific themes, human fears, impressions, questions, mistakes and aspiration. He considers stone as a material with many emotions. It is a mental fight and Cpajak shows his strength by bending the stone. He has been awarded international prizes and is considered as one of the most significant sculptors of our time. His work is part of collections worldwide a . . .
Svjetlana Dosen
Born in Bosnia in 1978, she studied painting at the Novi Sad University of Art in Serbia and worked for several years in Göttingen, Germany and in Aalborg, Denmark, where she lives today.In her paintings, Svjetlana manages to transform everyday reality into magical representations. Her knowledge and cosmopolitanism coupled with her technical skills transform the cold reality into a universe of lively beings. She masters the play of colours and forms like a magician.At the centre of her work is t . . .
Sandro Porcu
Born in Caltanissetta, Italy in 1966, he grew up in Germany. He was influenced by life in Karlsruhe, the study and the New Leipzig School in Leipzig, teaching activities and projects in Upper Lusatia and the nature and culture of Sicily. As a freelance artist, he has been represented on the art market since the 90s and has completed numerous exhibitions in Germany, Switzerland, Great Britain, Austria, Hungary, Poland and Korea. Sandro Porcu received various art prizes in Switzerland (Christoph M . . .
Sergei Aparin
The great masters of the present are expected to reach the perfection of their predecessors and add something more. Sergei Aparin succeeds in this. Every painting is a world of its own. The real mixes with the mystic. An invitation to immerse, linger and reflect, which one gladly accepts. One could write a long art-historical/philosophical essay about each work. In the context of a catalogue preface, the scope is limited to a few morsels and the viewer is invited to "Crave for more".Many of his . . .
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