Goran Cpajak
Goran Cpajak was born in 1963. in Prijepolje, Serbia. He shapes stones and metals in line with natural harmony. He forms the stone in specific themes, human fears, impressions, questions, mistakes and aspiration. He considers stone as a material with many emotions. It is a mental fight and Cpajak shows his strength by bending the stone. He has been awarded international prizes and is considered as one of the most significant sculptors of our time. His work is part of collections worldwide a . . .
Danijela Gracner
Born in 1983 in Kragujevac, Serbia, the artist lives and works in Paris.While studying applied arts and mural painting at the University of Belgrade, she dealt with the theme of subordination and the adaptation of people to the prescribed social constraints in her performances under the title "Sleepers". She portrays people as puppets crammed into a tight corset of traditions, rules and constraints, performing their duties at the expense of their talents and potential. Congealed, uniformed and s . . .
Alex Vorti
Alex Vorti, born 1991 in Majdanpek, Serbia, graduated in sculpture from the University of Applied Sciences in Belgrade. In addition to his artistic work, he teaches art and the English language. Experts on visual arts have commended him in the same breath with outstanding pioneers of Tachism such as Arnulf Rainer and Hans Staudacher. There are good reasons to compare world-famous artists of that genre with Alex Vorti who brought a breath of fresh air into the world of abstract painting and great . . .
Marion Rauter
Marion Rauter is a narrative virtuoso of photorealism. Only with a brush and a few oil paints does she produce in her reproduced reality the drama of a play. The subjective reality she creates in her portraits is, though two-dimensional, a narrative. Since the portrayed personalities in their representation gain a sensual meta-level (compared to the original photography), their paintings lead far beyond the mere illustration.The facial features of her portraits captivate the viewer. Their biogra . . .
Sergei Aparin
The great masters of the present are expected to reach the perfection of their predecessors and add something more. Sergei Aparin succeeds in this. Every painting is a world of its own. The real mixes with the mystic. An invitation to immerse, linger and reflect, which one gladly accepts. One could write a long art-historical/philosophical essay about each work. In the context of a catalogue preface, the scope is limited to a few morsels and the viewer is invited to "Crave for more".Many of his . . .
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